Lee Konitz: Conversations on the Improviser's Art

Lee Konitz Conversations on the Improviser s Art Meticulously researched detailed and documented this long awaited overview justly establishes Konitz as one of the most consistently brilliant adventurous and original improvisers in the jazz tradi

  • Title: Lee Konitz: Conversations on the Improviser's Art
  • Author: Andy Hamilton Joe Lovano
  • ISBN: 9780472032174
  • Page: 277
  • Format: Paperback
  • Meticulously researched, detailed and documented, this long awaited overview justly establishes Konitz as one of the most consistently brilliant, adventurous and original improvisers in the jazz tradition a genius as rare as Bird himself John Zorn Hamilton s work may well mark the inception of a format new to writing on Western music, one which avoids both the self agg Meticulously researched, detailed and documented, this long awaited overview justly establishes Konitz as one of the most consistently brilliant, adventurous and original improvisers in the jazz tradition a genius as rare as Bird himself John Zorn Hamilton s work may well mark the inception of a format new to writing on Western music, one which avoids both the self aggrandizing of autobiography and the stylized subjectification of biography The Wire An extraordinary approach to a biography, with the man himself speaking for extended sessions The main vibration I felt from Lee s words was total honesty, almost to a fault Konitz shows himself to be an acute observer of the scene, full of wisdom and deep musical insights, relevant to any historical period regardless of style The asides by noted musicians are beautifully woven throughout the pages I couldn t put the book down it is the definition of a living history David LiebmanThe preeminent altoist associated with the cool school of jazz, Lee Konitz was one of the few saxophonists of his generation to forge a unique sound independent of the influence of Charlie Parker In the late 1940s, Konitz began his career with the Claude Thornhill band, during which time he came into contact with Miles Davis, with whom he would later work on the legendary Birth of the Cool sessions Konitz is perhaps best known through his association with Lennie Tristano, under whose influence much of his sound evolved, and for his work with Stan Kenton and Warne Marsh His recordings have ranged from cool bop to experimental improvisation and have appeared on such labels as Prestige, Atlantic, Verve, and Polydor Crafted out of numerous interviews between the author and his subject, the book offers a unique look at the story of Lee Konitz s life and music, detailing Konitz s own insights into his musical education and his experiences with such figures as Miles Davis, Stan Kenton, Warne Marsh, Lennie Tristano, Charles Mingus, Bud Powell, and Bill Evans.Andy Hamilton is a jazz pianist and contributor to major jazz and contemporary music magazines He teaches philosophy, and the history and aesthetics of jazz, at Durham University in the United Kingdom He is also the author of the book Aesthetics and Music Continuum 2007.

    Lee Konitz Conversations on the Improviser s Art Jazz In this book of lively conversations on the improviser s art, Lee Konitz talks about all aspects of his music, from his beginnings as a student of the clarinet, during the late s to the early years of the new century, and he does so with great candour. Lee Konitz Conversations on the Improviser s Art Andy I couldn t put the book down it is the definition of a living history David Liebman The preeminent altoist associated with the cool school of jazz, Lee Konitz was one of the few saxophonists of his generation to forge a unique sound independent of the influence of Charlie Parker. Lee Konitz Conversations on the Improviser s Art by Andy Lee Konitz has ratings and reviews Josh said This is an indespensible book concerning what improvisor s do I highly recommend this to people who Lee Konitz Conversations on the Improviser s Art by Andy Lee Konitz Conversations on the Improviser s Art By Andy Hamilton Experiencing the music of Lee Konitz in the flesh and in different settings is a reminder of what a unique musician he is He prods and pushes Lee when he feels he isn t getting much of an answer, and he makes the conversations a genuine two way discourse Lee Konitz Conversations on the Improviser s Art by Andy Lee Konitz Conversations on the Improviser s Art by Andy Hamilton In jazz circles there is always talk about the importance of individuality, and there are always legions of musicians striving to Customer reviews Lee Konitz Conversations on In this book of lively conversations on the improviser s art, Lee Konitz talks about all aspects of his music, from his beginnings as a student of the clarinet, during the late s to the early years of the new century, and he does so with great candour. Lee Konitz Conversations on the Improviser s Art Lee Konitz Conversations on the Improviser s Art Andy Hamilton Paperback pages ISBN University of Michigan Press Saxophonist Lee Konitz has long been known for the singularity of his musical approach. Lee Konitz University of Michigan Press Conversations on the Improviser s Art Andy Hamilton approach to a biography, with the man himself speaking for extended sessions The main vibration I felt from Lee s words was total honesty, almost to a fault Lee Konitz was one of the few saxophonists of his generation to forge a unique sound largely independent of the influence of Lee Konitz Conversations on the Improviser s Art on JSTOR The interview form is common in jazz journalism, but a whole book of interviews with a single musician is rare Lee Konitz is one of the few jazz players who could sustain the Lee Konitz Hamilton, Andy and Konitz, Lee , Lee Konitz Conversations on the Improviser s Art, University of Michigan Press, ISBN Crafted out of numerous interviews between the author and his subject, the book describes Konitz s life and music.

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    One thought on “Lee Konitz: Conversations on the Improviser's Art”

    1. This is an indespensible book concerning what improvisor's do. I highly recommend this to people who have watched an improvising musician and always wondered "how do they do that?" Konitz not only details his own approach, but others as well. Hamilton chooses a very eloquent structure for the book that makes it flow much more smoothly. For students of improvisation, this is a book to return to again and again.

    2. Most of the book is made up of interviews with Konitz from the last several years, which I can't say enough good things about. He's very honest and humble, while speaking thoughtfully and eloquently about some very difficult subject matter (improvisation). The rest of the book is interviews with musicians associated with him in some way. These are also very informative. Great anecdotes, too.

    3. Fantastic read, but at some point I got annoyed with the frequency of commentary from other musicians, it started to feel like you would only get small amounts of Lee before an interruption, like the book was almost half not-Lee. But still totally worth it

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