Notes from the Underground

Notes from the Underground A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov Notes from the Underground represents a turning point in Dostoyevsky s writing towards the political sid

  • Title: Notes from the Underground
  • Author: Fyodor Dostoyevsky
  • ISBN: 9781495911583
  • Page: 467
  • Format: Paperback
  • A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes from the Underground represents a turning point in Dostoyevsky s writing towards the political side In this work we follow the unnamed narrator of the story, who disillusioned by the oppression and corruption of the society in which he lives withdraws from that socieA predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes from the Underground represents a turning point in Dostoyevsky s writing towards the political side In this work we follow the unnamed narrator of the story, who disillusioned by the oppression and corruption of the society in which he lives withdraws from that society into the underground A dark and politically charged novel, Notes From Underground shows Dostoyevsky at his best.

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    • ✓ Notes from the Underground || ✓ PDF Download by ↠ Fyodor Dostoyevsky
      467 Fyodor Dostoyevsky
    • thumbnail Title: ✓ Notes from the Underground || ✓ PDF Download by ↠ Fyodor Dostoyevsky
      Posted by:Fyodor Dostoyevsky
      Published :2018-09-13T22:03:27+00:00

    One thought on “Notes from the Underground”

    1. oh, dear. this is not a character that it is healthy to relate to, is it?? he is a scootch more pathetic than me, and more articulate, but his pettinesses are mine; his misanthropy is mine, his contradictions and weaknesses i have to go hide now, i feel dirty and exposed

    2. 1. Irritated by Underground Man.2. Amused by Underground Man.3. Sick of Underground Man.4. Want to fly to St. Petersburg, travel back in time, and punch Underground Man right in the face.5. Pity for Underground Man.6. Horrified by Underground Man.7. Further reading of Underground Man's monologue almost physically painful. I almost wanted to cover my eyes, but this would have posed problems for reading.8. Glad to be free of the Underground Man, but glad to have known him, in the end.

    3. More than anything, this book should make you think. And not about trivial shit either, but about big, important conditions of life and how best to view and react to them. I have "should" italicized in that first sentence for a reason: If you don't give yourself time to think -- if just skim through the book quickly -- then you won't get anything out of it.It's narrated by a guy living underground, in poverty. You are reading his notes. The first half, his ramblings, thoughts and philosophies of [...]

    4. Imagine 19th century Russian literature as a loud boisterous party. Here's Pushkin, basking in the center of attention, charming up all the ladies. Here are Chekhov and Gogol at the heart of a passionate intellectual argument. Here's Count Tolstoy, busily serving canapés while rejoicing in the pleasure of work, stopping only to chat about the pleasures of countryside with Turgenev. But where's Dostoyevsky? Oh, there he is, sitting by himself in a dark corner, dead broke after a high-stakes card [...]

    5. Bravo, Dostoyevsky! This is the perfect, absolutely accurate and universal portrait of the insecure, self-conscious egomaniac - pitiful and dangerous, on a negative quixotic rampage against himself, society and the laws of nature he despises but cannot change. There are so many of these angry men (and women), and they don’t speak from the underground anymore. With modern technology, they have conquered the virtual world, spewing out their self-pity and hatred in long, inconsistent, frustrated [...]

    6. Helen Ροζουλί Εωσφόρος Vernus Portitor Arcanus Ταμετούρο Αμούν Arnum says:

      Κατεβείτε σε αυτό το ΥΠΟΓΕΙΟ- σας συμβουλεύω ανεπιφυλακτα να κατεβείτε. Θα συναντήσετε έναν αντί-ήρωα απομονωμένο,ευγενή,εγωκεντρικό που θα σας διαφωτίσει ως προς το παράδοξο και το τραγικό της ανθρώπινης ύπαρξης. Η ελευθερία,η συναίσθηση,η αγάπη,η ανθρώπινη βούληση,το απ [...]

    7. so I came across this guy at a party that I had known in college, many years ago. I remembered him clearly: that brilliant, pretentious guy with his stories and his sarcasm and his nihilism. our classmates mocked him and so did I, but I enjoyed him too. he was a funny fellow, entirely self-absorbed, smart and well-read and amusingly melodramatic in his comments about the world and his life; he wore his pathos blatantly, like some kind of robe or badge or shield. I always thought that was brave o [...]

    8. " أنا رجلٌ مريض، أنا رجلٌ شرير، أنا بالأحرى رجلٌ مُنفر. " بهذه الجملة القصيرة، المعرِّية لنفسية بطل الرواية من أول لحظة، بدأتْ الرواية، وبدأ أول لقاء لي في رحاب خبير النفس البشرية الأعظم على مرّ التاريخ بشهادة معظم من قرأوا له. أن تفتح الصفحات الأولى من رواية فتجد في انتظارك ه [...]

    9. " أيها السادة، سأخبركم حول الكيفية التي أضعتُ فيها فرصة النجاح في حياتي بفعل الفساد الروحي والأخلاقي الذي أعاني منه، وبفعل الوقاحة الصلفة التي أتصف بها، وبفعل عدم تعودي على الحياة المُعاشة، وبفعل تراكم الغيظ والحقد اللذين نميتُهما في قبوي "

    10. Dostoevsky leads us into the deepest recesses of human consciousness, a mire of stinky sewers, feted pits and foul-smelling rat holes - novel as existential torment and alienation. Do you envision a utopia founded on the principals of love and universal brotherhood? If so, beware the underground man. And what is it about the underground? Well, ladies and gentlemen, here are several quotes from the text with my comments:"I would now like to tell you, gentlemen, whether you do or do not wish to he [...]

    11. Shall the world go to hell, or shall I not have my tea? I say let the world go to hell, but I should always have my tea.Thus Spoke DostoevskyThere were many things for me to get excited about after finishing this novella (It’s a trap!) but the first and an essentially timeworn image which appeared in my mind was that of a small child, sitting in a corner after being rebuked by an elder for giving little or no thought about the world with its countless complexities and contradictions around her [...]

    12. النسخة التي عندي مترجمة تحت عنوان "في سردابي" لعبد المعين الملوحي_و هي معنونة في قبوي ترجمة سامي الدوربي و دار ابن رشد، أو الانسان الصرصار(أو رسائل من أعماق الأرض) في ترجمة ثالثة لا أدري لمن_ نسختي كانت _قبل أن أبيعها_ نسخة قديمة مصفرة الأوراق مطبوعة عام 1956 و قد اشتريتها من على ب [...]

    13. أحيانا يصادف الإنسان مواقف معينة، مختلفة ومتباينة، فتتولّد داخله مشاعر معينة، مختلفة ومتباينة أيضا فيحدث أحيانا أنّنا نستطيع التعبير عن هذه المشاعر، وأحيانا نفشل في التعبير عن ذلك وما أريد قوله الآن ما هو إلاّ فشل في التعبير، وإخفاق في تحويل المشاعر إلى كلمات فجمل فمعنى.ب [...]

    14. aşkı ilk defa yaşamak gibi, denizi ilk defa görmek gibi, dostoyevski'yi keşfetmek de insanın hayatında önemli bir tarihtirher yeni başladığım kitapta daha iyi anlıyorum ben borges'in ne demek istediğini.yüzlerce hikaye ile tanıştım, başka başka gerçekliklerin ve kurguların içerisine dahil oldum, ama hiçbir yazar ile, evet hiçbiri ile dostoyevski ile aramda kurduğum bağ kadar kuvvetli bir bağ kuramadım. onu okurken zihnimde işlemeye başlayan mekanizma kadar özel bi [...]

    15. Literary Characters React to Notes from the UndergroundEeyoreThis Accounts for a Good Deal. It Explains Everything. In Life, you see, we can't all, and some of us don't. Gaiety. Song-and-dance. Here we go round the mulberry bush. This book is telling everybody “We can look for the North Pole, or we can play 'Here we go gathering Nuts in May' with the end part of an ants' nest. It's all the same to me." Amusing in a quiet way, but not really helpful.PigletHelp, help! A hexistentialist! A horrib [...]

    16. حسنًا حسنًا، دويستويفسكي العظيم من جديدهذا الرجل المحير للغاية مرة أخرى، يجذبك بأسلوبه وبكلماته العميقة البسيطة، في آن واحد، لتكمل قراءة الرواية لآخرها.رواية أخرى لا يسعنى بعد الفراغ منها إلا أن أقف مشدوهًا أمام قدرة هذا العبقريها هنا، يتجلى دوساويفسكي في أبهى صوره؛ في صو [...]

    17. یادداشت‌های زیرزمینی، بیش از این که یک رمان باشد، یک تحلیل شخصیت روان‌شناسانه است. اگرچه داستایوفسکی در اینجا شانس رویارویی با فروید را به طور مطلق از دست داده است، نثر او با اندیشه‌های فروید، پیوند خواهرانه برقرار می‌کند‫.یادداشت‌های زیرزمینی، البته مصداق بارزی از رمان [...]

    18. في قبوى، أم في قبري ؟!مضطربة الفكر انتهي من هذا الكتاب الغريبمميز جدا في ذاته لا يشبهه شىءيتحدث عن رجل اعتزل مجتمعه ومكث في قبوه يتأمل ويتخيل أشخاصًا يحدثهم بأفكاره ويكتب لهمهذا الرجل يقر بحقارته ودناوته معترفًا في الوقت ذاته بأنه أذكى البشروأنه وصل لمرحلة عليا من الوعىوهو [...]

    19. 871. Zapiski iz podpol'ia = Notes from the Underground, Fyodor Dostoevskyعنوانها: یادداشتهای زیرزمین؛ یادداشتهای زیر زمینی؛ یادداشتهای زیرزمینی با چهارده تفسیر؛ نویسنده: فئودور داستایوسکی (علمی و فرهنگی) ادبیات روسیه؛ تاریخ نخستین خوانش: بیست و یکم ماه سپتامبر سال 1972 میلادیعنوان: یادداشتهای زیر زمینی؛ نوی [...]

    20. Never be fooled by book size when it comes to Dostoevsky! This novella was just under 100 pages long so I figured it would take me just a couple of hours to read. I was obviously wrong but I enjoyed the read. The prose is extremely dense so I had to read it slower than I read other books. The protagonist was fascinating (peculiar, even) and I enjoyed reading his introspective thoughts about different issues. I will definitely be re-reading this one.

    21. New:“ . . . we’ve all grown unaccustomed to life, we’re all lame, each of us more or less. We’ve even grown so unaccustomed that at times we feel a sort of loathing for real “living life,” and therefore cannot bear to be reminded of it. For we’ve reached a point where we regard real “living life” almost as labor, almost as service, and we all agree in ourselves that it’s better from a book. And why do we sometimes fuss about, why these caprices, these demands of ours? We ours [...]

    22. ما الهدف من وجود الإنسان ؟هل انتصار العقل يعني تلاشي العاطفة ؟هل تحكمنا الرغبات أم المصالح ؟ما سبب البريق الذي يرافق بعض الناس ؟ وخفوت ضوء بعضهم الآخر بغض النظر عن قيمته ؟أيهما أكثر انتشارا ، كذب الإنسان على نفسه أم على غيره ؟وإلى أي مدى يمكن للإنسان أن يصدّق كذباته ؟الشكل ال [...]

    23. ‏إن مأساة هذا الإنسان البائس على وجه التحديد حينما لا يجد المنفذ للتنفيس من بين الأبواب الموصدة أمامه ثم لا يخرج، ولا ينفجر، ولا يعبر عما بداخله كما يليق بكائن حي ذو منزلة عالية.لذا تجده يتوه في حقده مع صراعاته الدامية، وأفكاره المريضة ويتربص بها كالثعلب حيناً، والأفعى الغ [...]

    24. When I read it at the height of my existential angst college days, I felt I had never identified with a character so strongly. I don't underline books, this might be the only one, I underlined about 90% of it.

    25. I first met the Russian on the loading docks. Filling trailers with freight out in the weather, in the humid heat and then again in the freezing cold was not a career, not a job anyone especially wanted, it was a job to fill in the gaps, work that paid a wage and filled a need as necessary as the empty trailers that backed into the dock one after the other.I had seen him in the break room, out on the picnic tables - always alone. He scribbled incessantly in an old thesis book, would pause long m [...]

    26. You see, this man Dostoyevsky calls you witness to a killing, a killing that he himself intends to perform. You are apprehensive, frightened even, but you walk in nevertheless. There in front of you lies this despondent figure of a man whom this convener intends to slaughter. Settled in rather uncomfortably, you prepare for the death blow to fall. But it doesn't; the victim is not shown the mercy of an easy execution.Instead Dostoyevsky strangles him, squeezes the very life out of him. And he do [...]

    27. اعطي هذا الكتاب 5 نجمات لما قدمه ديستويفيسكي من تصوير رائع لحياة هذا الإنسان المسكين المغلوب علي أمره في هذا العصر فهذا الإنسان كما قال ديستويفيسكي موجود في كل مكان حولنا دائماً نراه كثيراً كضحية لعصر أصبح الإنسان فيه مثل الألة التي لا شعور فيها ولا إحساسهذا الإنسان المسكين [...]

    28. «Aver coscienza di troppe cose è una malattia, una vera e propria malattia».Nel 1864, quando questi Ricordi compaiono sulla rivista «Epocha», Dostoevskij aveva già 43 anni, eppure ci sembra di leggere un testo giovanile, che ha qualcosa della prova generale in confronto ai grandi romanzi “polifonici” che verranno. Qui, per il momento, di voce ce n'è una sola: la continua, opprimente voce della coscienza, abietta e esibizionista al tempo stesso, di un uomo senza nome, che si dispone ad [...]

    29. "أنا رجلٌ مريض أنا رجلٌ شرير أنا بالأحرى رجلٌ منفّر"هكذا استهلّ ديستوفيسكي روايته مذكرات قبو، على هيئة يوميّات، ساردُها شخصٌ مريرٌ ومنعزل، وهو موظف بسيط متقاعد.إنسان مثير للاشمئزاز، أناني، شرير، سادي، غير مستقر في علاقته مع نفسه أو مع الآخرين لكنه في الوقت نفسه شديد الغيرة [...]

    30. Συγκλονιστικό!!! Το κατατάσσω στα κορυφαία έργα του Ντοστογιέφσκι μαζί με το Έγκλημα και τους Καραμάζοφ. Θυμίζει περισσότερο το δεύτερο, με διαφορά στον όγκο, που οφείλεται στην έλλειψη πλοκής. Το Υπόγειο, είναι ίσως από τα καλύτερα βιβλία Ψυχολογίας που έχουν γραφτεί ποτέ. [...]

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