How Phenomena Appear to Unfold

How Phenomena Appear to Unfold Literary Nonfiction New Expanded Edition In Eco logic in Writing one of many brilliant essay talks in this volume Leslie Scalapino asks Seeing the the moment of or at the time of writing what di

  • Title: How Phenomena Appear to Unfold
  • Author: Leslie Scalapino
  • ISBN: 9780937013304
  • Page: 474
  • Format: Paperback
  • Literary Nonfiction New Expanded Edition In Eco logic in Writing, one of many brilliant essay talks in this volume, Leslie Scalapino asks, Seeing the the moment of, or at the time of, writing, what difference does one s living make What crucial question for those concered not only with writing but with poethics composing words into a socially consciousLiterary Nonfiction New Expanded Edition In Eco logic in Writing, one of many brilliant essay talks in this volume, Leslie Scalapino asks, Seeing the the moment of, or at the time of, writing, what difference does one s living make What crucial question for those concered not only with writing but with poethics composing words into a socially conscious wager For Scalapino the essay is a poetic act the poetic act, essay It s in that combination that her textual eros the lush beauty of it could reject aesthetic purity and risk the rawness of genuinely new thought, touching what she called the rim of occurring Writing on rim is a celebration of the wondrous present, but requires agonistic struggle with the ugly poverty, war, institutional brutality, racism, sexism, homophobia Scalapino s Steinian strategy of recomposing the vision of one s times, altering oneself and altering negative social formation, is her artfully problematized project of writing ourselves into a better future With compassion and humor, Scalapino was indeed living on the rim of occurrence That is the living in the writing that produced this work its fundamental optimism and ebullient credo The future creates the past Joan Retallack.

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    One thought on “How Phenomena Appear to Unfold”

    1. Leslie Scalapino was maybe never clearer about her own poetic practice than when writing about others’, and the responses here to poets from Beckett to Berssenbrugge, McClure to Murasaki, Silliman to Stein—and most especially, for me, the various engagements with Robert Duncan and Philip Whalen—give a hugely helpful context for entering into her own poems, fictions, and plays, which are skillfully worked into the weave of this expanded version of her 1989 collection of the same name. Ever [...]

    2. The following is an essay about the work of Leslie Scalapino, in which I discuss this and other books of hers:Reading the Minds of Events: Leslie Scalapino’s Plural Time

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